I think, in life, one of the things we crave and need is to be seen and heard.ĭo you go online and read about your record? Of course, I try to interact with them on social media as much as possible, but just the support - I feel like I have this family and allyship and little army that really understands and sees me for who I am. I’m so indescribably grateful to my fans every day. How are you feeling with how your fans have been embracing these songs? Three years is a long time to direct your energy into one thing. This interview was edited and condensed for length and clarity. I guess I just want people to know that every nanosecond of this record, every harmony, I've poured every fiber of my being into it.” “We specifically went with the saddest key because there's something in our brains that correlates that key to melancholy. “When I was doing the last song on the album with Rick, we searched and searched for the saddest key, and I believe it's D minor,” she says. It’s on this high when we connected for a deep conversation about the record, one that Kesha says was a highly calculated effort - down to every harmony, key, and note. “I wanted to give Gag Order its honeymoon,” she says. She treated herself to cheese, bread, and wine, mountain biked to Versailles, caught Beyoncé’s Renaissance tour stop, and then went to a drag show that featured all Beyoncé impersonators. She’s just gotten back home after a two-week-long vacation in Paris, a small indulgence she allowed herself after spending the last three years hammering out the album. “A completely different sound, a completely different look.”Ĭalling from her home in Los Angeles, Kesha, despite the darker subject matter she’s discussing, is bubbly and relaxed. “I definitely sonically took a risk doing something that was different to what the majority of the world probably associates me with,” she says. Luke, whom she sued for sexual assault, battery, emotional abuse, and more - it feels like the most honest music we’ve heard from her. And in some ways, since the singer became wrapped up in her now years-long legal battle with disgraced producer Dr. Released in May, it’s already being heralded by critics as one of Kesha’s strongest artistic efforts to date. A disintegrating interlude from spiritual self-help guru Ram Dass about external validation severs the album in two halves, which ends on a plaintive folk note about just wanting to be happy. Spare, 808-washed soundscapes bolster electronic ballads about talking to God stripped-down guitar accompanies voice-breaking belts about the demons living inside her head. Produced by Rick Rubin, Gag Order is the most adventurous Kesha has ever sounded. Written in a period dotted by anxiety and panic attacks, as well as one colossal mind-shifting ego death moment now memorialized on the project as the song “Eat The Acid” (except she wasn’t on acid), the 13-track project obliterates the idea that Kesha, the pop artist, only makes party bangers. It was under these conditions the singer spawned her fifth studio album Gag Order, whose cover shows her being suffocated by a plastic bag and is perhaps her darkest record to date. It's not realistic, it's not sustainable, and at a point, it becomes toxic when you pretend to be happy all the time.” “It's hard to just be happy all the time. “I saw a lot of these illusions of what I had thought of as absolutes about myself and the world, and I saw them all kind of falling away, and that was really scary,” she says. Laying on her bed applying a face mask, Kesha remembers the terrifying unraveling that was happening in her mind during that period. Was she an artist? And if she was, what kind of artist was she? Was she still the one the world got to know as the constantly happy, frivolous, and escapist pop maker of her “Tik Tok” days? Was that ever who she was? “If an artist creates a piece that no one knows exists, are they still an artist?” Kesha wrote this in an artist statement published exclusively on NYLON about the questions she began asking herself at that time. At the same time, now forced to be still, a strong internal reckoning was raging within her. The music was out but she didn’t get to promote it she’d only released four music videos, and a tour was out of the question. It was deep into lockdown and the record she dropped at the end of January was sitting like an unfinished house. You can check out the dates, after the break.In 2020, after the release of her album High Road, Kesha lost herself. Kelly Rowland and The Dream announce the “Lights Out Tour” hitting many North American cities starting later this month.
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